Inspired by East Asian woodlands and resilient, drought-tolerant species, the planting reflects Tate’s sustainability commitments and uses long-lasting plants which increase biodiversity. A gently curving path made from garden stone reclaimed from the existing Tate Britain Garden leads to a circular seating area, crafted from repurposed materials. Surrounded by vibrant, biodiverse planting, the space invites conversation and connection, reimagining museum gardens as creative, social spaces.
A tranquil water feature, based on microscopic images of fungal structures, flows through a path of bronze dishes with illuminated rills, encouraging sensory engagement and wellbeing. Sitting at the heart of the garden will be Barbara Hepworth’s Bicentric Form 1949, marking the first time a work of art from the national collection has been installed at RHS Chelsea Flower Show. After the Show, Bicentric Form will join other world-class sculptures by modern and contemporary British artists from Tate’s collection being installed outside Tate Britain as part of the Clore Garden, a new green space for London made possible by the Clore Duffield Foundation and with support from The Julia Rausing Trust.
